You’ll know him as Jim Tipler, one of the Directors of Hailsham Creative and chief designer. Here you can see his own website, By Jimbo! (yes, it’s a site created by Hailsham Creative, isn’t it gorgeous!?) with many examples of his branding and identity work.
Jim says: There aren’t many Jimbos around so I adopted it for my business. I can help you find a distinctive style – something that will stick – something that will have a shelf life. It might have a story. It WILL have integrity.
If these are attributes that you also aspire to, we should chat. I think we could work together.
One of the great things about my job is finding out about you, your business and your story. Branding of course doesn’t simply mean creating a logo. It means keeping that visual language consistent across every type of media you use and, through Hailsham Creative I can help with that.
So, if you are interested in talking to Jimbo about your branding, get in touch and you can meet up for a chat over a coffee.
Here’s the secret. If you follow up, you might be the only one who does. Think about it. Would you choose a business who was disinterested at the quote stage? If they’re sluggish then, how responsive will they be when you’ve paid them to work for you?
A quote in the post is good. But it can work harder. Use a folder. A beautiful folder. It gives you gravitas. You’ll look impressive. Use the inside to sell your benefits. Why should they choose you? Fill with photos of other projects, awards or client reviews.
Our clients come in all shapes and sizes. We love working on a high quality sales brochure for a multi-million pound organisation just as much as a flyer for a small, local, single-owner business. But, whatever the size of the client, nearly all projects we undertake have many things in common. Firstly, a client will have a requirement (a logo, a brochure, a website, exhibition display, a video). We will have a discussion with the client and an approach (or maybe several alternatives) are agreed upon. Creative work is undertaken and a design is either agreed upon or progresses with modification. Once a design is approved it will be implemented in whichever medium is required.
That, in a nutshell, is our design process. I purposely have not gone into detail because, although there is much in common, still every project has its own subtle differences in approach.
We were asked by Darren to look at a logo for his soon to be launched financial consultancy for which he had decided upon the name Redstone Wealth Management. In our meeting a clear brief was difficult to establish, but he wanted to be recognised as professional, serious and was keen to use the colour red.
There are several approaches you might use for this type of brief. 1) You could write a brief and ask the client to check and sign off on that brief, 2) You could create a mood board from scratch identifying the type of approach you would like to take for this client, 3) You could present just one or two ideas and “sell” one or other in to the client or 4) You could take a scattergun approach and shower the client with ideas. Each of these has its merits and drawbacks but for this project we opted for The Scattergun. Reasons? Mainly time vs results vs budget. 1) Writing and agreeing a brief. There was a timescale in play and a back and forth discussion may have jeopardised that 2) The mood board would take time and therefore budget that this client simply did not have, 3) We aren’t ultra smooth sales people and certainly don’t believe in the emperor’s new clothes approach. So we went for a selection of logos, confident we would pretty much nail it the first time round and keep one or two up our sleeves should we need them.
Brainstorming was interesting and went in several directions, from visuals as diverse as anglo-saxon runes, to rock strata. Each thought was sketched and the strongest would be developed and presented to the client as a standalone logo.
On presentation the client said what he liked and disliked about each. Some were discounted instantly, but we kept coming back to the same four. We developed each a little further to give the client some idea of how it might work in practical situations such as a business card or website banner.
Over the years we have found there are times when you shouldn’t express a preference to a client and times when you should and this was one of those. The client was undecided and needed confident direction. The logo we kept coming back to was based upon an anglo-saxon rune for “stone” and we contrived to form an M and a W within the logo (Management and Wealth). So we pointed out there would be a great story behind it for Darren to pass on in turn to his clients.
Despite not being an expert in ancient runes, he liked this thought very much and we developed it further, showing options for layout and typeface.
I think this demonstrates the difference between a brand and a mere logo. A brand might have a story, it should have some weight behind it, some history or, dare I say, a “journey” behind it.
I’m quite good at the visual language of these things but not so great at the written language, but what I would say is that Darren asked for a logo and has ended up with a brand – something he can flaunt with real confidence, will help him stand out against competitors and serve his business very well for years to come and we are very proud to have been a part of that.
“I can say I enjoyed being part of the journey with you and I do use the story behind the logo when I hand over the business card. I have received positive feedback so far and my clients have really liked it. It brings depth to the brand and is a great starting point during my conversations.”
Darren Ransom
Financial Advisor
Redstone Wealth Management
When should printing techniques and constraints get in the way of creativity?
Well, the answer is probably never, but it is important to evaluate every project.
Pretty much anything is achievable with the vast array of printing and imaging technology at our fingertips today, added to ‘traditional’ printing techniques. From beautiful deep, rich blues and turquoises, weird laminating and foiled finishes, embossing, debossing, specialist papers, etc, etc.
You can arguably justify spending a fortune on printing a beautiful product brochure for luxury, bespoke, hand-built kitchens, whereas a flatpack, decent quality kitchen company might be wasting money if they distributed anything other than a good quality A4 leaflet.
The temptation for some designers is to sell in the highest spec option in order to get a really sexy print job out of it and it can be completelyinappropriate. With all the years we have spent in the marketing industry, we have got quite good at talking people out of wasting their marketing budget. We are not afraid of suggesting a client go’s for the higher spec if they happen to be that supplier of luxury, bespoke, hand-built kitchens however.
The clever (creative) bit is choosing when to suggest something extra.
Hello. It’s us. We are still Hailsham Creative but better. We are Hailsham Creative…at printing.com!
As your new printing.com studio, we’re pleased to offer the largest range of print in the land. You buy local but at online prices. You get the value of online with the convenience and peace of mind of talking to a real person.
So, give us a call and we’ll arrange a meeting. We’ll show you loads of new cool stuff to help you promote and grow your business. Whether it’s great value print, next generation displays or stunning web and graphic design, we can help.
